2014 > 2013

Out with the old, in with the new. It's been quite a year, friends, and certainly quiet one, digitally speaking.

On May 15th, 2013, two days after our scheduled departure for five weeks backpacking in Europe, my wife, Krystal, was diagnosed with a classical Hodgkin Lymphoma. Needless to say, by this point we were certainly not doing any backpacking. Long story short, on October 15th, 2013, after four full rounds of chemotherapy, Krystal was declared in complete clinical remission.

See! Good news! We'll just ignore the bad news that came first, right?

Like I said, quite a year. But we came out on a high note, certainly. On account of having already quit our jobs, stowed our earthly belongs, and selling our house in South Dakota, we spent six months in Arizona where we got to spend some quality time with Krystal's family during her treatment. I found work that kept me busy and the medical collectors at bay, but unfortunately left me in a clay- and studio-less state. In October, my wife was offered a job in Northern Colorado. With the clean bill of health in tow, we returned to the Rocky Mountain State and are making a home (and studio) in Loveland, CO.

[That really is the shortest version of the story. Mayhaps there is more to be shared later. This is it for now. Thanks for understanding.]

So: back on the road to having a studio up and running. Still some logistical issues to sort out in preparing the house for full studio-ness, but the bottom line is that there is clay in my immediate future, and I'm very much looking forward to sharing whatever 2014 may have to offer.

Currently working on a few small projects related to getting the studio up and running and should be able to offer some sort of a post on that in the near future.

In the meantime: Happy New Year!

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And as a PS: in as much as there's a lot of 2013 I'd like to just put in a box and forget about, please celebrate with me my favorite music from last year. Because, you know, that's kind of a thing I do.

10. Justin Timberlake, "The 20/20 Experience."

I'll probably losing my indie cred for including this record on my list, but let's face it: this two-part project is chock-full of undeniably catchy pop. I lean toward Part I in my including it on the list, but I won't back down and am not ashamed to say that "Suit & Tie" was my jam for the better part of 2013. Check out: "Suit & Tie"

9. STRFKR, "Miracle Mile." 

Though I'd certainly hesitate to even mention them by name in polite conversation, I was really first introduced to this band by their inclusion in one of this year's SoundSupply Drops. And it's just an impeccable Alt-Rock/Pop album all the way through. This one became an almost immediate favorite of mine and was certainly perfect for summer in the desert. Check out: "While I'm Alive"

8. Atoms for Peace, "Amok."

Pet project of Thom Yorke (Radiohead) notably featuring Flea (Red Hot Chili Peppers) and the extremely talented Nigel Godrich, Joey Waronko, and Mauro Refosco. Great mood music for a long, hard year. Along the same vein as Yorke's solo outing ("Eraser") and Radiohead's latest "King of Limbs," it's a great electro-jazz groover. Check out: "Before Your Very Eyes"

7. Citzens, "Citizens."

It's rare anymore that I come upon a "Christian" radio station that plays anything I'm really excited about listening to, much less introduces me to a new artist. Citizens certainly blew those expectations out of the water after I heard their song "Made Alive" on the radio in Phoenix this summer. This is just a good record for fans of music (alt-rock, specifically). Check out: "Made Alive"

6. The Hawk In Paris, "Freaks."

Dark pop. Clever lyrics, cleverer hooks. Hard not to groove along with this project featuring Dan Haseltine (Jars of Clay) on lead vocals. Check out: "Freaks"

5. Leagues, "You Belong Here."
Great danceable pop-rock here. I was grandfathered into my Leagues fandom via guitarist Tyler Burkum's previous work as a solo artist, hired gun (Mat Kearney, Matthew Perryman Jones) and as longtime lead guitarist of Audio Adrenaline (arguably his least engaging work as a musician thus far). Great beats, grooves, melodies, and harmonies throughout. Check out: "Walking Backwards (Live)"

4. The Civil Wars, "The Civil Wars."
I hope they're able to work out their "irreconcilable differences of ambition" to bring us more music, because Joy Williams and John Paul White make magical things happen together. Check out: "Dust to Dust"

3. The National, "Trouble Will Find Me."
I'm a late adopter of these slow-building indie darlings (2010's "High Violet" made a believer of me). This is a nearly flawless record. Haunting and beautiful, with layers upon layers of sonic master strokes. Check out: "The National - NPR Tiny Desk Concert"

1. TIE - Derek Webb, "I Was Wrong, I'm Sorry, & I Love You" / Jars of Clay, "Inland."
Two beautiful records from artists that write consistently write some of the truest music exploring the depths of life, love, and faith. Definitely worth checking out, regardless your personal feelings on any of those topics. Webb returns to his alternative rock/country roots after several experimental records for this beautiful collection of songs, while Jars of Clay forges new, yet familiar, ground again with a record that simply feels more "real" than just about anything else out there these days.

Check out: Derek Webb, "Everything Will Change"

Check out: Jars of Clay, "Love in Hard Times"

Throwing, Glazing, Slacking: the monthly update.

Right on schedule, time for my monthly update. I'm keeping myself busy lately which means I'm spending more time on pots and less time on posts here.  However, I have been doing a relatively decent job of sending quick updates out into cyberspace via my presence on Facebook (just pottery!) and Twitter (shenanigans of all sorts!). So if once a month is simply not enough of me for you, go ahead and give me a follow at one of these locations.

For those not interested in the social media angle (ye antisocial mediites), here's a recap: throwing. Lots of throwing. And trimming. And decorating. And firing. And glazing. And more firing. And more throwing. Rinse and repeat.

No, but seriously - I've been pretty diligent about my studio time this fall. Krystal's been having to do a lot of professional traveling, so I've had lots of time to commit guilt-free to the pots. I've been focusing on making fun pots, and not stressing about quantity or volume for my next show (November 10-11, here in Pierre). I always have more than enough work, so I shouldn't stress too much. That's my goal anyway. Also continuing to play/experiment with shape and texture in addition to my old faithful sgraffito.

Here are some snapshots:

Itty-bitty bowls.

A full bisque kiln. Had to make room on my shelves for more pots to dry!

Textures and such.

I've been commissioned to do a complete communion service for our congregation. I don't think this pair of chalices quite make the cut, but a good start.

This? This is just a steak dinner hot off the grill a couple weeks back that was quite photogenic. I'm not giving up summer that easily. I'll still be grilling when there's snow on the ground.

 This week I finally got around to glazing a load of pots and was quite thrilled with the results. Every firing is a little different and I usually try to include at least one or two experimental pieces per firing. Looking forward to finishing up more work this fall.

Final thoughts before next month (post-show summary?): Lots of great new music this fall from Mumford & Sons, The Killers, No Doubt and more, but I've been letting the iPod run on shuffle for the last couple weeks and have enjoyed happening upon such wide and varied selections as Switchfoot's 1997 debut, Led Zeppelin's 1976 live concert recording "The Song Remains the Same," older (and newer) Ben Folds (& Five), Bob Dylan, America, Jimmy Eat World, and so on and so forth. Last night Apple up and shuffled me into a jungle of Krystal's Ani Difranco selection which simply didn't last very long. I of course reserve veto rights. But it's been enjoyable to not put any thinking energies into picking my soundtrack and taking what comes my way. Within reason, of course.

Art Sail and Beyond!

Well, I suppose I've been away long enough - two weeks past the Art Sail (my big summer event this year) and I'm ready to get back into the studio. Trying to plan the coming batches of work to be efficiently productive for fall sales and also with enough room for creative growth. I squeezed a little bit of experimental work into the last batch of pots for the Sail, and I'd like to go back and pursue those further. Looking forward to mixing some things up.

But first, a look back!

A great big thank you is in order for any and all who came out to the Art Sail at the end of July! It was a wonderful day for an art fair, with plenty of sunlight, moderate cloud cover and just enough breeze off the lake to keep things refreshing. The sun never stayed out long enough for things to get truly HOT, but it was never cloudy enough to scare anyone away.  Rain fell north and south of town, I heard, but we stayed dry all day long. Late that night, after the pots were long packed away and I was tucked into bed, the thunder finally rolled in and we fell asleep to the sound of the rain pelting the window panes.  Beautiful day.

Looking down Main Street USA the morning of the Art Sail.

Sales were steady and, as far as I'm concerned, very good for a one day event. Seeing as how Clear Lake is my hometown there were a lot of familiar faces - folks I haven't seen in many cases for close to ten years. But great fun catching up and sharing what I've been up to.

Booth Shot.

I didn't know quite what to expect for this show as it was my first year doing it, but the Clear Lake Art Sail attracts quite a crowd from all demographics - young, old, local, vacationers - all sorts. And getting to meet everyone is just such a treat.

Pedestals in action.

My favorite incident from the weekend came in the form of a man who approached me while I was standing out in the street in front of my booth doing some people-watching. After asking if that was my work, he began with "You know, I really don't like pottery," before continuing, "but man, I really like your stuff!" Even from out in the street, he said, the decoration stood out boldly amid the shapes and colors and really exuded the style of my work without getting busy or overpowering. We chatted for the better part of 15 minutes, going over my process and stylistic influence and he left with one of my sgraffito bowls with a Retro Blue-Green interior.

It's for the stories like these that I love the shows.

It's for a lot of the rest of the stuff that I wring my hands and fret and become a mess. I had a few "Ah, #$%&" moments while loading up the chariot for the commute to the show before finally squeezing everything in with barely enough room for my copilots.

That's what we looked like 2/3 of the way through packing. No rear view? No problem!

And then the first in-the-field trial of tent and pedestals and such brought their own challenges (shout-out to my father and brother, Paul and Noah Langholz, for some assistance in my set-up and tear-down!). But overall, I think I'm figuring things out pretty well. Maybe a couple more of these things on the schedule next summer? We'll just have to wait and see!

In addition to the sales the day of the show, I was grateful for the opportunity to fill a wholesale order for the owners of a couple local jewelry & gift stores in northern Iowa, and also took some time to restock the Clear Lake Arts Center with more of my work for the gift shop. All told, I was able to come home with half of my bins empty, which meant that I had a functional rear view for the drive home. Hot dog!

After we were done setting up she ditched me for a long run. Devoted, that.

And no show recap would be acceptable without mentioning that none of it would be possible without the unwavering support of my lovely wife, Krystal. Leading up to the show means sacrificing nights and weekends and free time and many, many fun times of the summer-y sort.  And to top it all off she's on-site the day of helping with set-up and tear-down and selling pots while I take potty breaks (<-"Potty" breaks? It's funny!). So she's awesome and y'all should be amazed.

"Oh, hey - thanks for stopping by!" Just your friendly neighborhood Potterman.

Edit: I realized shortly after I hit "Publish" that I'd forgotten something very important. I'd also like to give a great big thank you to everyone who helped make the Art Sail a great experience - it was a very well organized and pleasant event to be a part of. Big thank you to Jacky Garlock as well as Kim Larson and Amy Palmer at CLAC for all their hard work and for allowing me to be a part of North Iowa's premier art festival!

On the non-pottery front, we were very excited to be in-state for the arrival of the newest member of our family, nephew #2 (congrats to my big brother Sam and sister-in-law Kristin on their beautiful boy!). We couldn't have planned it better, and we were so happy to be near enough to meet him right away!

Krystal loves being an auntie!

I got back into the studio last week a little bit, and so will be back to a more regular schedule of throwing now I think. Tackling some larger mounds of clay, right now focusing more on practice and form than intent of finished project - meaning I'm not so attached to these pieces that I won't decide they need to be recycled at some point pre-firing, but here are a few things I've done.

Vase is 12" tall, for comparison. That's a rather large bowl. Not quite sure where it will be going - either stylistically or  otherwise.

Yesterday's pot. 25#. Not 100% pleased with the top, but there might be some room for adjustment yet. Decent amount of weight to trim out of the bottom, though not so bad as it could be.

In addition to the big pots, I need to re-stock some of the things that sold well this summer. It's always a little predictable, but there are some things that I do always need to have on hand. I also need to spend a little time this fall hanging out with mugs, trying to find common ground that doesn't harbor any hostilities. Explore creative expression with mug as a canvas. That sort of thing. And, always, a couple commission pieces to take care of and fulfill those obligations.

And I'd be remiss to sign off without recommending some music to y'all. This fortnight I've been rather taken with one J. Tillman's full catalog. He released a record this spring under the moniker Father John Misty, and he may be best recognized as Fleet Foxes' former drummer, but his full catalog is phenomenal. Simple, earthy and mostly acoustic (solo work) and all that + amazing rhythmic sensibilities (especially with the FJM project), he will probably comprise the better part of my "official" fall soundtrack this year. Phenomenal. Check it out for yourself. Like in the video below (or here for the e-mail subscribers).

Thanks for stopping by. Don't forget to check me out on Facebook!!!

Weekly Update

This week got away from me a bit. I was hoping to do more throwing than I did, and had to throw out a couple things that were thrown over the weekend because they didn't get trimmed soon enough.  I'm six weeks out from the next show, which gives me maybe two weeks to do anymore throwing. Fortunately, I feel like I'm in a good place as far as inventory is concerned, and the Clear Lake sale is only a one-day event, but there are a few things I'd like to see more of.  

Mostly, though, my to-do list is comprised of non-production show prep that has been ignored. I haven't done an outdoor event in several years, and I'm feeling the need to step up my game a little bit with regard to display and presentation. All of my "need-to-do's" may not get done by July, but it's good to be thinking about them now, if only to be ready for any shows that come up over the fall.

ANYHOW...

Set?

Variation. 

Got flowers blooming in the front yard. Local Farm & Fleet starts to discount live plants mid-July or so, and by the first of August anything that's left is free. Slim pickings, but some hidden gems. Planted these last summer and they gave us a modest presentation last fall. They've been absolutely gorgeous this spring.

Vases. Lefty sort of reminds me of the White Tree of Gondor. Thinking that'd make a pretty impressive line of mugs, to throw that tree inside a blue badge of some sort.

Big guy, little guy. 

Slipped and ready for action.

So that's where I'm at. Contemplating producing a dozen/score of mugs and trying something new with them, but people just haven't been buying my mugs lately. I mean, I don't like making them that much either so maybe I shouldn't complain... but I've been throwing some ideas around I'd like to flesh out maybe.

Haven't been listening to a whole lot of one thing or the other (in the studio) but have been playing a lot of NPR's All songs Considered podcast. Which means a lot of listening to all things and the other. From folk to rock to hip hop and electronic music, they episodes range from topical ("The Speak-Singing Debate" and "Remembering Mom & Dad's Record Collection") to timely (recent releases, festival previews) or genre specific (Electronic! Alt-Latino!). So that's been happening.

To what comes next: more pots? Hoping for some studio time this weekend. It may be difficult as tomorrow brings a wedding anniversary of some significance. Five years. Has it been that long? Certainly is hard to believe. Or as I responded to Krystal last night, "Five years - is that all?"

Then she punched me.

But seriously, she's my best friend, my most ardent supporter, and other mushy-gushy stuff.

So here's to five great years, and many, many more to come.

And please, can I spend some time in the studio this weekend?

Pots of Life

I've been absent. But present. Busy, and not so productive. Lots going on, and not much to share.

Had a wonderful visit by Krystal's mother last weekend which kept me more or less out of my studio. But not completely. Here's an illustrated guide to the past 10 days of my life. Hopefully it's interesting. 

(Spoiler alert: I unloaded a glaze kiln yesterday, so those pictures are at the bottom of this post.)

Took some time off last Friday to take the Mom-in-Law down to the Rez and visit Krystal's office. Got to see some of my own (design) handiwork on display in their offices.

Krystal's (above) nonprofit is doing some really cool things in the community. You can read all about Hunkpati Investments here.

Took some great cloud pictures. Like these.

Had to spend a day driving to the airport. Here's "what's up" at the rest areas in South Dakota.

Krystal took "rest area" a little bit too far.

I enjoyed the fresh air and scenic vistas.

Loaded a bisque firing.

Tempy helped me glaze. She's very helpful.

Took her for a walk as a reward. We found a bunny.

Glazed some more.

Loaded up the kiln.

Watched it get warmer.

Unloaded. Thrilled about the blues. The Rust Red has been giving me a lot of trouble lately, though. Grr.

And threw some more bowls.

So that's been my week. Krystal's been out on the eastern seaboard and I get her home again tonight. Might be able to squeeze in a little more throwing before her plane gets in if I try really hard.

That's it for now, I suppose.

For the record, studio listening lately has included: the latest from Beach House, Bloom; new music from Alabama Shakes, Delta Spirit, and M. Ward; and I dusted off ye olde Les Mis this week after catching this at the theatre last weekend.

Take care, y'all.
Sent from my Verizon Wireless 4G LTE smartphone